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Raking in a collection of 84 crores, it is the official remake of the 1993 Malayalam movie. In 2007, one of the key members of the original crew of the famous Malayalam movie, Manichithrathazhu, Priyadarshan, decided to direct a remake of it in Hindi, namely, Bhool Bhulaiya. These are excerpts from the two clips that were shown on the monitors (the black frames are intentional) : The installation received a good response from the audience, who were captivated by the unpredictable movement from screen to screen, and also from the unfamiliar languages and sudden transitions. For the final dance scene, I incorporated the music of all four movies, which created a cacophony of sound and added to the chaos and confusion happening on the screen, making the audience themselves feel demented – which is what I had hoped to achieve. The two videos were simultaneously played on both monitors, so that when one video was playing, the other would display a blank screen. I took the essential bits of the films, starting with the explanations to the husband of his wife’s mental illness, and ending with the climax scene. I made an art installation that consisted of two monitors facing each other, placed on two ends of a hall. To this end, I edited the four movies and rendered them as two different files in such a way that there would essentially be “dialogues” between the movies – therefore, for example, if Thilakan as a priest talked on one screen in Malayalam, he would be answered by Akshay Kumar in Hindi on the other. I wanted to bring out and emphasize the plethora of similarities and differences between the four movies on which I researched. For my interim course, my final project involved this blog and an art installation.